Got lots of old VHS tapes sitting around at home?
Here is a great creative idea that uses the internal tape in a hugely inspiring way.
From the 2009 Venice Biennale.
Showing posts with label vhs. Show all posts
Showing posts with label vhs. Show all posts
Monday, July 9, 2012
Monday, January 16, 2012
Random Stuff #26
While everyone's currently busy live-blogging the Golden Globes, I've only got time at the moment to marvel at these two things: (1) a VHS toaster and (2) a clip from the live-action Filipino version of He-Man: Masters of the Universe...
Friday, May 20, 2011
Sort of Like Netflix, But with VHS Tapes
Monday, January 17, 2011
Random Stuff #14
Labels:
coppola,
forest j ackerman,
horror,
olsen twin,
random,
seinfeld,
shelley duvall,
shining,
vhs
Tuesday, October 19, 2010
My VCR Collection VHS Recorder
Apologies in advance for this post - and any future VHS-related posts - I realise I work for a DVD company, but I grew up in the age of VHS so I still have lot of nostalgia for the format, especially since now it's obsolete.
First up, this is a bizarre clip of a German dude with a mean bowl cut showing off his VCR collection. Backed by soundtrack themes for films like Star Wars and Ghostbusters (!?), he drones on for an interminable 8 minutes in his thick accent, commenting on the different models - "Panasonic is very good". It's fascinating to watch in a mind-melting WTF way.
Second up, something from the Found Footage guys, who've unearthed some hilarious gems from trawling through garage sales and trash bins over the years. In this clip they pick some of their best-worst VHS covers. They're a bit annoying to watch as usual, but it's worth it just for the covers:
Best-worst VHS covers, part one
First up, this is a bizarre clip of a German dude with a mean bowl cut showing off his VCR collection. Backed by soundtrack themes for films like Star Wars and Ghostbusters (!?), he drones on for an interminable 8 minutes in his thick accent, commenting on the different models - "Panasonic is very good". It's fascinating to watch in a mind-melting WTF way.
Second up, something from the Found Footage guys, who've unearthed some hilarious gems from trawling through garage sales and trash bins over the years. In this clip they pick some of their best-worst VHS covers. They're a bit annoying to watch as usual, but it's worth it just for the covers:
Best-worst VHS covers, part one
Thursday, October 14, 2010
VHS Vortex #21: Deadly Strangers (1974)
If you're wondering why it's #21 of a column that has never appeared on this blog before, you have reason to, but here's why: for nearly two years, VHS Vortex was a monthly wee thing I wrote for Real Groove magazine, who sad to say, went under a couple of weeks ago (must-read eulogies here and here). It was a bit of an unusual column in a sense that it wasn't tied to anything commercial, it wasn't promoting any current product - it was pure indulgence on my part (thanks Duncan!), a reason to go through my VHS stash which otherwise would have remained unwatched for years. But it also gave me a chance to shed some on light on interesting, rare, off-the-radar, offbeat movies, yet unavailable on DVD, that would've gone unnoticed.
So I thought I'd share my last column, which was to appear in November's issue, here. I don't think I'll ever get paid for watching VHS ever again (though I'd be more than happy to...), but I've been thinking about possibly continuing the column here. Anywho we'll see. Copy + paste, final VHS Vortex:
By the time Hayley Mills dropped her top for Sidney Hayers’ 1974 road thriller Deadly Strangers, she was well into her attempts at scrubbing away her career-defining squeaky-clean image as Disney’s top child actor of the ‘60s. She’d already done non-family-friendly psycho-thrillers like Twisted Nerve (’68) and Endless Night (’72), and with this trashy, sleazy film, Mills couldn’t be further away from her Pollyanna days.
She plays Belle Adams, a twenty-something beauty who accepts a lift from a trucker when her car breaks down. Not long into their journey, the man stops the truck and proceeds to rape her (“I thought we’d settle the fare”), but she makes a run for it and catches a ride from another passing stranger, Stephen Slade (Simon Ward), who’s a tad friendlier, more dashing, but a little disconcertingly drunk. Meanwhile, there’s a murderous psychopath on the loose in the countryside…
Not a lot of what happens here is remotely plausible, and it’s not difficult to guess the outcome, but Deadly Strangers is fast-paced, well-acted and rousing enough to forgive its rougher edges.
The film basically amalgamates two genres: on one hand, it dabbles in the psycho-sexual themes of films like Psycho and Peeping Tom, and on the other, exploits our fears of thumbin’ a ride a la The Hitch-Hiker, Road Games et al. To be sure, the psychological stuff doesn’t rise above exploitation, delivered none-too-subtly via standard horror-trauma flashbacks into the characters’ pasts: Slade has trouble in the sack with his wife due to his love of dirty mags, Adams haunted by a traumatic past where her parents died in a car accident and she’s forced to live with a creepy uncle.
But the rapport the pair build during the film, by turns jovial, sexually tense, and off-kilter, is engrossing and suspenseful (their best scenes are played out in simple passenger/driver-conversing shots), and veteran TV director Hayers, clearly not working with a particularly large budget, makes the most of the depressing, soggy Midlands landscape to drench the film in atmosphere. There’s also an oddball, goofy appearance by Sterling Hayden as a heavy-bearded, jalopy-driving old-timer that adds an element of welcome quirkiness to the mainly sombre drama.
Deadly Strangers was released on VHS in the US by Paragon Video Productions in the ‘80s – apparently cut – and an English-language DVD has yet to surface yet. It’s no forgotten classic, but if you like this kind of thing, it’s worth hunting down.
So I thought I'd share my last column, which was to appear in November's issue, here. I don't think I'll ever get paid for watching VHS ever again (though I'd be more than happy to...), but I've been thinking about possibly continuing the column here. Anywho we'll see. Copy + paste, final VHS Vortex:

She plays Belle Adams, a twenty-something beauty who accepts a lift from a trucker when her car breaks down. Not long into their journey, the man stops the truck and proceeds to rape her (“I thought we’d settle the fare”), but she makes a run for it and catches a ride from another passing stranger, Stephen Slade (Simon Ward), who’s a tad friendlier, more dashing, but a little disconcertingly drunk. Meanwhile, there’s a murderous psychopath on the loose in the countryside…
Not a lot of what happens here is remotely plausible, and it’s not difficult to guess the outcome, but Deadly Strangers is fast-paced, well-acted and rousing enough to forgive its rougher edges.
The film basically amalgamates two genres: on one hand, it dabbles in the psycho-sexual themes of films like Psycho and Peeping Tom, and on the other, exploits our fears of thumbin’ a ride a la The Hitch-Hiker, Road Games et al. To be sure, the psychological stuff doesn’t rise above exploitation, delivered none-too-subtly via standard horror-trauma flashbacks into the characters’ pasts: Slade has trouble in the sack with his wife due to his love of dirty mags, Adams haunted by a traumatic past where her parents died in a car accident and she’s forced to live with a creepy uncle.

Deadly Strangers was released on VHS in the US by Paragon Video Productions in the ‘80s – apparently cut – and an English-language DVD has yet to surface yet. It’s no forgotten classic, but if you like this kind of thing, it’s worth hunting down.
Labels:
deadly strangers,
hayley mills,
road,
sidney hayers,
thriller,
vhs
Subscribe to:
Posts (Atom)