Totally forgot that Jake Gyllenhaal was in City Slickers. Here's 11-year-old Jake in cowboy hat being interviewed on a British TV show. Cute overload warning.
Wednesday, March 30, 2011
Crop This
This problem might not be a major issue for the average renter out there, but being a stickler for the preservation of the original theatrical aspect ratios of films - or at least, the original ratio the director intended their films to be seen - there seems to be an alarming rise of cropping occurring with Australian/NZ/UK releases. The most disconcerting example recently is the case of Rodrigo Cortes' thriller Buried starring Ryan Reynolds.
Icon Home Entertainment, for some reason which I hope soon will be made clear, have chosen to release the DVD and Blu-ray of the film cropped from its OAR of 2.35:1 to 1.77:1. As far as I'm concerned, such practice is unacceptable in this day and age, especially with customers being guaranteed the optimal presentation of films on home video via Blu-ray and the like. It's what, 15 years since DVD debuted, and films are still being cropped arbitrarily here and there? If anything new technology should educate the consumer of such matters, not the other way around.
The 1st image shows the US Lionsgate release in its OAR, the 2nd shows what we get.
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Not only do we lose more image, we lose a sense of the director's vision, his composition of the shot.
Here's an excellent, and funny post about the ridiculousness of Buried's cropping, and this is a list of some Aus/NZ-releases titles that have been cropped (I'd add to that list Tell-Tale as well).
Icon Home Entertainment, for some reason which I hope soon will be made clear, have chosen to release the DVD and Blu-ray of the film cropped from its OAR of 2.35:1 to 1.77:1. As far as I'm concerned, such practice is unacceptable in this day and age, especially with customers being guaranteed the optimal presentation of films on home video via Blu-ray and the like. It's what, 15 years since DVD debuted, and films are still being cropped arbitrarily here and there? If anything new technology should educate the consumer of such matters, not the other way around.
The 1st image shows the US Lionsgate release in its OAR, the 2nd shows what we get.
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Here's an excellent, and funny post about the ridiculousness of Buried's cropping, and this is a list of some Aus/NZ-releases titles that have been cropped (I'd add to that list Tell-Tale as well).
Friday, March 25, 2011
The Best of Liz
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A Place in the Sun (1951)
Giant (1956)
Cat on a Hot Tin Roof (1958)
Suddenly, Last Summer (1959)
Who's Afraid of Virginia Woolf (1966)
Thursday, March 24, 2011
The World's Greatest Extra
I'm glad that there are people out there who have time to notice this kinda stuff. And this isn't just a case of a Hey, It's That Guy!-character actor-spotting, it's a freakin' EXTRA. Anyway, the extra in question, Jesse Heiman, has achieved viral fame now, and it wouldn't surprise me if he started getting substantial parts in Judd Apatow comedies in the future...
In Cinemas This Week
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Wednesday, March 23, 2011
Trailer: Insidious
It's been a while since we've had a genuinely scary horror movie - let's not count faux-doco-type sutff like Paranormal Activity - so here's hoping Saw director James Wan's return to horror will get under the skin in the way that several early rave reviews have already hinted at. Here's one from South by Southwest, and another from Toronto Film Fest.
The trailer suggests Paranormal Activity/Poltergeist/haunted house-style spookiness, maybe with a twist (oh wait, "it's not the house"!), and it looks like Wan's paying much attention to slow-burning, creepy camerawork and atmosphere, though the "flash-cuttiness" towards the end is a bit disconcerting (maybe just part of the trailer?). Bring on the chills...
Unrelated but: Josh Lucas and Patrick Wilson - I always get them mixed up.
The trailer suggests Paranormal Activity/Poltergeist/haunted house-style spookiness, maybe with a twist (oh wait, "it's not the house"!), and it looks like Wan's paying much attention to slow-burning, creepy camerawork and atmosphere, though the "flash-cuttiness" towards the end is a bit disconcerting (maybe just part of the trailer?). Bring on the chills...
Unrelated but: Josh Lucas and Patrick Wilson - I always get them mixed up.
Tuesday, March 22, 2011
The Bombing of Robert Zemeckis' Mars Needs Moms
Robert Zemeckis' motion-capture animated film cost $150 million to produce but earned only $6.9 million in its debut at the domestic box office.
Ouch, that's gotta sting...
I'm really no fan of the creepy motion-capture animation technique Rob Zemeckis has been doing for a last wee while, so maybe he'll return to making live-action movies after this dismal result. I haven't loved everything the guy's done, but he's got some serious filmmaking chops (at least one hopes he still does) that have produced terrific, dazzling work - Back to the Future, Contact and particularly, Cast Away - and it would be an utter shame if he never made another film with flesh-and-blood humans again.
Here's the trailer:
PS: I wrote this under the impression that Zemeckis had directed the film, but he actually only produced it.
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I'm really no fan of the creepy motion-capture animation technique Rob Zemeckis has been doing for a last wee while, so maybe he'll return to making live-action movies after this dismal result. I haven't loved everything the guy's done, but he's got some serious filmmaking chops (at least one hopes he still does) that have produced terrific, dazzling work - Back to the Future, Contact and particularly, Cast Away - and it would be an utter shame if he never made another film with flesh-and-blood humans again.
Here's the trailer:
PS: I wrote this under the impression that Zemeckis had directed the film, but he actually only produced it.
Labels:
animation,
disney,
flop,
mars need moms,
motion capture,
robert zemeckis,
trailer,
youtube
Monday, March 21, 2011
Themed Geek Havens
This one goes out to both Batman lovers and lovers who are Batman lovers... click the pic to check out an amazing-looking Batman-themed room in Taiwan's Eden Motel (warning: not appropriate for minors):
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And if you're a Lost fan, next time you're in Barcelona, be sure to stop over at Bharma, an all-Lost themed bar!!
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And if you're a Lost fan, next time you're in Barcelona, be sure to stop over at Bharma, an all-Lost themed bar!!
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Thursday, March 17, 2011
In Cinemas This Week
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Wednesday, March 16, 2011
Tuesday, March 15, 2011
Wylie E Coyote does 127 HOURS
This hilarious 127 Hours parody is from Brooklyn-based animator Rob Yulfo. I guess its not long until someone does The King's Speech with Porky Pig!
Monday, March 14, 2011
Thursday, March 10, 2011
In Cinemas This Week
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Wednesday, March 9, 2011
House the Air Up There?
Watch this awesome recreation of the balloon-lifted house from Pixar's Up. Already holding the world record for the largest balloon cluster flight ever attempted, this experiment will air as part of National Geographic Channel's new series How Hard Can It Be? Beautiful!
Labels:
balloons,
national geographic,
pixar,
recreation,
up
Tuesday, March 8, 2011
Trailer: Super
It's been nearly 5 years since James Gunn's last film, the wonderfully icky and twisted monster flick Slither, so it's nice to see he's finally got a new one on the way in the form of the dark superhero comedy Super. Unfortunately, the trailer's not selling it to me all that much, its ironic, self-reflexive approach to the genre seems all-too-familiar now to be fresh (it also has the problem of coming out after Kick-Ass, a movie it resembles quite a bit). Add to that the shrill Juno-isms courtesy of Ellen Page's presence (is it just me or or is she getting more annoying with each film?), and this one might be an uphill battle for me. There's been some good early press though...
Labels:
ellen page,
james gunn,
kevin bacon,
rainn wilson,
super,
superhero,
trailer,
youtube
Thursday, March 3, 2011
In Cinemas This Week
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Trailer: Hanna
I'm not really a Joe Wright advocate - there are a few cool visual moments in Atonement (the beach tracking shot, primarily); The Soloist was just Oscar-baitin' pap - but I'm getting pretty hyped for his forthcoming hitman thriller Hanna. Starring Atonement's Saoirse Ronan as a teenage girl who is trained to be assassin by her father (Eric Bana), the film, according to Wright, will have a less conventional approach to its action scenes. He said he looked Robert Bresson's Pickpocket for inspiration, and if you know Bresson, he doesn't, by any means, do "action". The only thing I'm not too keen on is the Chemical Brothers soundtrack (and maybe Bana's Irish accent)... Here's the trailer:
Tuesday, March 1, 2011
Sheen It All Before
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